Scene 7, 8, 9, and denouement Staging Notes Lighting: Light/ grisly Lighting should gradually begin to fade when Monika tells Mobius that all they block is each other; ***Mobius funnies - crystalizely/ grim: - the fade of the empty-headed is typic because it begins when Mobius realizes that he is going to kill Monika. He does not cast remove away his intentions, thus there is the brush between right and reality with this technique. Mobius and Monikas silhouettes should no longer be visible by the time Monika is dead and Mobius is kneeling side by side(p) to her body. ***Mobius slip - illuminate/dark one side of Mobius strip is on the face of it present in that he had just polish off Nurse Monika; his reason for her death is kept secret until submit two. A shaft of light would shine in from Mobius inhabit and the familiar wash on the comprise would go affirm to habitual (100%) as he walks out. ***Mobius strip - light/dark: the light coming from Newtons ro om is artificial there is once again a conflict between truth and trickery (Newton fakes his identity); he in like manner tries to shine a light on the situation (reveal the stumble of Nurse Monika) Setting and support: Truth/Untruth Chandelier: it would not produce light but would catch up with light. ***Mobius strip - truth/untruth: to the highest degree truth in the asylum that is hardly notice, hidden mountainous French doors, with cherry drapes.
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***Mobius strip - truth/untruth: represent dark, untruth because this was where the murders took place Rooms only used as a backdrop, leaves room for the actors to move nearly on stage and so the stage does not looking for too mess due to the chairs, table, couch etc.**! *Mobius strip - truth/untruth: cannot see into rooms, secrets and untruth Character Development: Reality/ ineffectual Einstein: seems penitent that he killed Nurse Irene and wonders if he could... If you necessitate to get a full essay, order it on our website:
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